{"id":9875,"date":"2022-09-29T16:36:46","date_gmt":"2022-09-29T13:36:46","guid":{"rendered":"https:\/\/www.liberalglobe.com\/?p=9875"},"modified":"2022-09-29T16:38:26","modified_gmt":"2022-09-29T13:38:26","slug":"glances-at-the-art-world-10","status":"publish","type":"post","link":"https:\/\/www.liberalglobe.com\/?p=9875","title":{"rendered":"Glances At the Art World"},"content":{"rendered":"\n<ul class=\"wp-block-list\" style=\"font-size:25px\"><li><strong>BERLIN (GERMANY-EU)<\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">Exhibition: <em><strong>Donatello Inventor of the Renaissance<\/strong><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2022\/09\/image-111.png\" alt=\"\" class=\"wp-image-9876\"\/><\/figure>\n\n\n\n<p>Donatello (ca. 1386\u20131466) was a versatile innovator who was always open to technical and artistic developments and experimented tirelessly with materials and forms of aesthetic expression. For example, he employed mathematically calculated perspective in creating his reliefs, and used materials like terracotta and plaster to create and reproduce his works in addition to the more traditional medium of marble. After the Museo Nazionale del Bargello in Florence and the Victoria &amp; Albert Museum in London, the <strong>Staatliche Museen zu Berlin<\/strong> possesses one of the world\u2019s most extensive and diverse collections of works by Donatello. Together with the Fondazione Palazzo Strozzi, these museums have teamed up to curate three monographic exhibitions on Donatello\u2019s oeuvre. Sculptures and reliefs in marble, terracotta and bronze that have never been displayed together before make this show a genuine once-in-a-lifetime experience.&nbsp;Across some 90 works, many of them key works in his oeuvre that have never before been shown together, a panorama emerges that sparks the realisation that the story of Donatello is also the story of the Renaissance.<strong>&nbsp;<\/strong><\/p>\n\n\n\n<p style=\"font-size:25px\">September 02, 2022 &#8211; January 08, 2023<\/p>\n\n\n\n<ul class=\"wp-block-list\" style=\"font-size:25px\"><li><strong>NEW YORK (USA)<\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">Exhibition: <strong><em>Gideon Appah Joins Pace Gallery<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2022\/09\/image-113-762x1024.png\" alt=\"\" class=\"wp-image-9878\"\/><\/figure>\n\n\n\n<p><strong>Pace<\/strong> <strong>Gallery<\/strong> is pleased to announce its representation of Gideon Appah, who is known for his dreamlike and enigmatic paintings, drawings, and mixed media works that often explore Ghanaian history and popular culture. Appah will have his debut presentation with Pace next month at Frieze London, where the gallery\u2019s booth will focus on works by artists new to the program. His first solo exhibition with Pace will take place in London in spring 2023. Pace will represent Appah in collaboration with Gallery 1957 and Mitchell-Innes &amp; Nash, where Appah\u2019s second solo exhibition with the gallery opened in New York on September 8.<\/p>\n\n\n\n<p>Born in Accra, where he continues to live and work, Appah interlaces visual fragments from modern-day Ghana with his own imagination in the fantastical figurative scenes that make up his paintings. Drawing from childhood memories, family photographs, dreams, newspapers, comic books, Ghanaian cinema, and other sources, Appah forges idiosyncratic compositions that balance deeply personal, introspective themes with lingering ambiguities.<\/p>\n\n\n\n<p style=\"font-size:25px\">September 15, 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BERLIN (GERMANY-EU) Exhibition: Donatello Inventor of the Renaissance Donatello (ca. 1386\u20131466) was a versatile innovator who was always open to technical and artistic developments&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1209,1188,1157],"tags":[2131,3106],"class_list":["post-9875","post","type-post","status-publish","format-standard","hentry","category-exhibitions","category-arts","category-culture","tag-exhibition","tag-glances-at-the-art-world"],"_links":{"self":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/9875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9875"}],"version-history":[{"count":3,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/9875\/revisions"}],"predecessor-version":[{"id":10550,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/9875\/revisions\/10550"}],"wp:attachment":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}