{"id":8416,"date":"2022-05-19T16:42:01","date_gmt":"2022-05-19T13:42:01","guid":{"rendered":"http:\/\/www.liberalglobe.com\/?p=8416"},"modified":"2022-05-19T16:42:01","modified_gmt":"2022-05-19T13:42:01","slug":"glances-at-the-art-world-2","status":"publish","type":"post","link":"https:\/\/www.liberalglobe.com\/?p=8416","title":{"rendered":"Glances At the Art World"},"content":{"rendered":"\n<ul class=\"wp-block-list\" style=\"font-size:25px\"><li>Chicago (USA)<\/li><\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">Exhibition: <em><strong>Igshaan Adams: Desire Lines<\/strong><\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2022\/05\/image-29.jpeg\" alt=\"\" class=\"wp-image-8417\" width=\"414\" height=\"310\"\/><\/figure><\/div>\n\n\n\n<p>In his tapestries and textile installations, Adams engages with the gaps\u2014the information that is seemingly absent, overlooked, or rendered invisible in the spaces we inhabit individually and collectively. Through the beads, shells, glass, rope, wire, and found objects he uses to compose his weavings, Adams highlights the material aspects of lived spaces along with the personal stories held within them. Adams\u2019s hometown, Bonteheuwel, South Africa, is a key source of inspiration. This predominantly working-class township in southeast Cape Town was founded in the 1960s as part of the forced segregation during the Apartheid era. Adams approaches Bonteheuwel both as a deeply personal space, imbued with childhood memories and a network of familial relationships, and a politically charged space, shaped by violence and generational trauma.<strong> The Art Institute of Chicago<\/strong>.<\/p>\n\n\n\n<p style=\"font-size:25px\">April 2 &#8211; August 1, 2022<\/p>\n\n\n\n<ul class=\"wp-block-list\" style=\"font-size:25px\"><li>LONDON (UK)<\/li><\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">Exhibition: <em><strong><em>The Morgan Stanley Exhibition:<\/em>&nbsp;<em>Edvard Munch. Masterpieces from Bergen<\/em><\/strong><\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/courtauld.ac.uk\/wp-content\/uploads\/2021\/12\/Edvard-Munch-1863-1944-Evening-on-Karl-Johan-1892-KODE-Art-Museums-and-Composer-Homes-Bergen-Norway-scaled-600x0-c-default.jpg\" alt=\"\" width=\"479\" height=\"332\"\/><\/figure><\/div>\n\n\n\n<p>A major collection of works by Edvard Munch will be shown in the UK for the first time at <strong>The Courtauld Gallery.<\/strong>&nbsp;<em>The Morgan Stanley Exhibition:<\/em>&nbsp;<em>Edvard Munch. Masterpieces from Bergen<\/em>&nbsp;27 May \u2013 5 September 2022, and is part of a partnership between The Courtauld and KODE art museums in Bergen, Norway. KODE in Bergen is home to one of the most important Munch collections in the world, originally assembled in the early 20<sup>th<\/sup>&nbsp;century by Norwegian industrialist Rasmus Meyer (1858 \u2013 1916), who collected Munch\u2019s work during the artist\u2019s lifetime.<\/p>\n\n\n\n<p>The exhibition will bring together some 18 paintings from this collection \u2013 the first time a comprehensive group of works from the collection has been seen outside Norway. It will begin with seminal early examples of Munch\u2019s \u2018realist\u2019 period of the 1880s which launched his career, such as&nbsp;<em>Morning<\/em>&nbsp;(1884) and&nbsp;<em>Summer Night&nbsp;<\/em>(1889), a pivotal work that reflects the artist\u2019s move towards the expressive and psychologically charged work for which he became famous.&nbsp;<\/p>\n\n\n\n<p style=\"font-size:25px\">27 May \u2013 5 September, 2022<\/p>\n\n\n\n<ul class=\"wp-block-list\" style=\"font-size:25px\"><li>MADRID (EU)<\/li><\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color\">Exhibition: <em><strong><em>New sculpture room. Ionic Gallery<\/em><\/strong><\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encrypted-tbn0.gstatic.com\/images?q=tbn:ANd9GcRRjA0dv9gr68Z4iSvWD6MjC028RMs91V7GNA&amp;usqp=CAU\" alt=\"New sculpture room. Ionic Gallery - Activity - Museo Nacional del Prado\" width=\"445\" height=\"210\"\/><\/figure><\/div>\n\n\n\n<p><strong>The Prado Museum<\/strong> has architecturally rehabilitated the space of the north Ionic gallery of the Villanueva building as part of its objective to increase the visibility of its sculpture and decorative arts collections.<\/p>\n\n\n\n<p>The gallery will be open to the public from next May 19<sup>th<\/sup>, bringing together 56 sculptural pieces that range from Ancient Egypt, through the Greco-Roman period, up to the Renaissance and Baroque periods; precious objects that transmit the validity of classical language and its interpretation through the centuries, of the tangible closeness of three-dimensional works and the rich variety of the Prado Museum&#8217;s collection.<\/p>\n\n\n\n<p>This intervention recovers the proposal of architect Alejandro Sureda (1815-1889), who intervened in this unique space from 1878 and 1881 with the purpose of devoting it to sculpture exhibition.<\/p>\n\n\n\n<p style=\"font-size:25px\">From May 19<sup>th<\/sup>, 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chicago (USA) Exhibition: Igshaan Adams: Desire Lines In his tapestries and textile installations, Adams engages with the gaps\u2014the information that is seemingly absent, overlooked,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1209,1188,1157],"tags":[3466,1410,3467,3468,2131,3106,1175,3039,1318],"class_list":["post-8416","post","type-post","status-publish","format-standard","hentry","category-exhibitions","category-arts","category-culture","tag-art-exhibition-2","tag-art-institute-of-chicago","tag-chicago","tag-courtauld-gallery","tag-exhibition","tag-glances-at-the-art-world","tag-london","tag-madrid","tag-prado-museum"],"_links":{"self":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/8416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8416"}],"version-history":[{"count":2,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/8416\/revisions"}],"predecessor-version":[{"id":8446,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/8416\/revisions\/8446"}],"wp:attachment":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}