{"id":27117,"date":"2025-12-11T20:35:29","date_gmt":"2025-12-11T18:35:29","guid":{"rendered":"https:\/\/www.liberalglobe.com\/?p=27117"},"modified":"2025-12-11T20:35:29","modified_gmt":"2025-12-11T18:35:29","slug":"glances-at-the-photography-world-3","status":"publish","type":"post","link":"https:\/\/www.liberalglobe.com\/?p=27117","title":{"rendered":"Glances At the Photography World"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li class=\"has-large-font-size\"><strong>AGIA PARASKEVI-LESVOS, GREECE (EU)  <\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-40d41ee7d0fbd8ab3eba64e3cf103039\"><strong>Exhibition: <em>Push Plus One<\/em>&nbsp;<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-27-768x1024.png\" alt=\"\" class=\"wp-image-27118\" srcset=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-27-768x1024.png 768w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-27-225x300.png 225w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-27.png 900w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p><strong>K-Gold Temporary Gallery<\/strong> presents <em>Push Plus One<\/em>, an exhibition by fashion photographer Bill Georgoussis, curated by Nikolas Vamvouklis. It is a retrospective of the most important moments from the 30-year career of the internationally renowned artist, along with previously unpublished archival material.<\/p>\n\n\n\n<p>Georgoussis is one of the few Greek photographers who continue to collaborate systematically with the largest fashion and art magazines. His work spans the heyday of print publications and the transition from analog photography and film to the uninterrupted flow of digital images \u2013 a change that radically reshaped the aesthetics and vocabulary of the entire fashion industry.<\/p>\n\n\n\n<p>The starting point of the exhibition is his ongoing research into the creation of the image and the role of the photographer in an era of content overproduction. In contrast to this frenetic reality, Georgoussis\u2019 practice is based on a more contemplative rhythm: few but carefully considered shots, focusing on observation, simplicity and the essence of things.<\/p>\n\n\n\n<p>Especially for the exhibition, he creates a participatory installation that offers the public the opportunity to see the background of the process, bringing into dialogue his personal objects, technical equipment and his experimentations. Finally, a bilingual edition (Greek, English), designed by Marlon Tate, will be released.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Starts January 17, 2026<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-large-font-size\"><strong>PARIS &#8211; FRANCE (EU)<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-5a8c6b1276d73f06c4ea812eb7cbdaa2\"><strong>Exhibition: Constantin Brancusi <em>Photographs<\/em><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29-1024x753.png\" alt=\"\" class=\"wp-image-27121\" srcset=\"https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29-1024x753.png 1024w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29-300x220.png 300w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29-768x564.png 768w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29-1536x1129.png 1536w, https:\/\/www.liberalglobe.com\/wp-content\/uploads\/2025\/12\/image-29.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-4a8b107ba93e06aa5fa23c496fc10a3e\"><\/p>\n\n\n\n<p>Following the major retrospective dedicated to Constantin Brancusi (1876\u20131957) at the Centre Pompidou, Paris last year, <strong>Thaddaeus Ropac Paris Marais<\/strong> presents a selection of the Romanian artist\u2019s photographic work, spanning 1906 to 1938. Brancusi\u2019s photography was an integral part of his artistic practice and evolved alongside his sculpture from early in his career. In 1956, he bequeathed his entire studio to the French State, including a number of his photographs, which were notably the subject of a focused exhibition running alongside the artist\u2019s first retrospective in France, also held at the Centre Pompidou in 1995.<br><br>Crystallising his artistic vision, photography was essential to Brancusi\u2019s practice. The artist began experimenting with the medium following his arrival in Paris in 1904, whereupon he immersed himself in the contemporaneous photographic and cinematographic avant-gardes. He befriended numerous photographers including Edward Steichen, Alfred Stieglitz and Man Ray, who helped him set up a dark room in his studio. Brancusi notably accompanied Steichen to take nocturnal shots of Rodin\u2019s&nbsp;<em>Balzac<\/em>&nbsp;sculpture \u2013 a formative event that fostered his experimental approach to photography.&nbsp;<\/p>\n\n\n\n<p>Brancusi used photography as a potent documentary tool that supported his sculpting practice. As such, the exhibition offers an invaluable insight into the remarkable development of his oeuvre, from a 1906 photograph of a naturalist bronze bust of a child \u2013 a central motif that would evince his radical purification of sculptural form \u2013 which he created whilst studying at the Beaux-Arts de Paris to outdoor shots of his monumental sculptural ensemble at T\u00e2rgu Jiu in Romania (1937\u201338), which would become a UNESCO world heritage site. Some of his sculptures survive only as photographic likenesses, as epitomised by&nbsp;<em>Woman Looking into a Mirror<\/em>&nbsp;(1909\u201314), on view in the exhibition, which Brancusi would radically rework into the eminent sculpture&nbsp;<em>Princesse X&nbsp;<\/em>(1915\u201316; Centre Pompidou, Paris), his phallic portrait of psychoanalyst Marie Bonaparte.&nbsp;<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color has-medium-font-size wp-elements-c178de8696a9b7ceafbb3f9a513a4027\">20 October\u201423 December 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition: Push Plus One&nbsp; K-Gold Temporary Gallery presents Push Plus One, an exhibition by fashion photographer Bill Georgoussis, curated by Nikolas Vamvouklis. It is&#8230;<\/p>\n","protected":false},"author":1,"featured_media":27119,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1157,1999],"tags":[3501,2133,2130],"class_list":["post-27117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-photography-exhibitions","tag-glances-at-the-photography-world","tag-photography","tag-photography-exhibition"],"_links":{"self":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/27117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27117"}],"version-history":[{"count":4,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/27117\/revisions"}],"predecessor-version":[{"id":27131,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/posts\/27117\/revisions\/27131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=\/wp\/v2\/media\/27119"}],"wp:attachment":[{"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.liberalglobe.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}